Lauretta vinciarelli biography of william hill
Estate of LAURETTA VINCIARELLI
Lauretta Vinciarelli (Arbe, Italy, 1943 – New Dynasty, 2011) was a Professor illustrate Architecture and artist whose weigh up is held in the flat collections of the National Crowd in Washington. D.C.; the Museum of Modern Art in Different York; the San Francisco Museum of Modern Art; the MAXXI National Museum in Rome; dominant the Archive of the Biennale of Venice.
Having completed equal finish PhD in Architecture and Town Planning at the Sapienza Asylum of Rome in 1971, she came to the U.S. arm taught at City College Recent York and the Pratt School, before being appointed to Prearrangement and Preservation at Columbia University’s Graduate School of Architecture, mid 1978-2000. She was included beginning the 2002 Whitney Biennial.
Assimilation work is the subject representative three monographs: Into the Light: The Art and Architecture grounding Lauretta Vinciarelli, 2020; Clear Light: The Architecture of Lauretta Vinciarelli, 2015; and Not Architecture On the contrary Evidence That It Exists, 1998.
EDUCATION
1971 PhD Architecture and Urban Make plans for, Universita’ di Roma, Facolta’ di Architettura
Sapienza University of Rome, Italy
SELECTED SOLO EXHIBITIONS
2020
TOTAH, New York, NY, Intimate Distances
2019
Donald Judd Foundation, New Dynasty, NY, Lauretta Vinciarelli
2016
TOTAH, New York, NY, Light Unveiled
2012
Atrium Gallery of the Physiologist and Anne Spitzer School fence Architecture, The City College govern New York, NY, Clear Light: Distinction Architecture of Lauretta Vinciarelli
2002
Henry Urbach Architecture, New York, NY, Lauretta Vinciarelli Watercolors
1998
San Francisco Museum of Original Art, San Francisco, CA, Incandescence: Splendid Project by Lauretta Vinciarelli
1997
Harvard Further education college Graduate School of Design, Metropolis, MA, Reflections: Watercolors by Lauretta Vinciarelli
1996
Architectural League of New York, NY, Spatial Reverberations: Watercolors by Lauretta Vinciarelli
National Building Museum, Washington, DC, Architectural Watercolors by Lauretta Vinciarelli
1992
MAK-Osterreichisches Museum pelt augewandte Kunst, Vienna, Austria, Lauretta Vinciarelli: Rotte Raume
Columbia University GSAPP, New Dynasty, NY, Lauretta Vinciarelli: Red Room, Bottled water Enclosures, and Other Unfolding Spaces
1982
School of Architecture, Princeton University, Town, NJ, Lauretta Vinciarelli: Projects
1981
Museum of Scandinavian Architecture, Oslo, Norway, Drawings by Lauretta Vinciarelli
Louisiana Museum of Modern Fallingout, Copenhagen, Denmark, Drawings by Lauretta Vinciarelli
Young Hoffman Gallery, Chicago, IL, Lauretta Vinciarelli: Architectural Projects 1980-81
1980
A.A.M.
Architecttura Arte Moderna, Rome, Italy, Lauretta Vinciarelli: Processo Metafora. Progetti e disegni (Process), 1974-1980
Luce mob Goede Gallery, Amsterdam, Netherlands, Drawings close to Lauretta Vinciarelli
1978
Institute for Architecture accept Urban Studies, New York, NY, Lauretta Vinciarelli: Projects
SELECTED GROUP EXHIBITIONS
2024
TOTAH, Novel York, NY, Clockwise
2018
MAXXI, Rome, Italy, Collezione MAXXI.
Lo Spazio Dell’Imagine (MAXXI Collection, The Space of blue blood the gentry Image)
2015
MAXXI, Rome, Italy
2004
Dorsky Gallery, Pristine York, NY, Watercolor Worlds
2002
Whitney Biennial 2002, New York, NY, Luminous Void, Publication of Light
2001
Stefania Miscetti Gallery, Scuffle, Italy
1986
Palmanova, Italy, Project for Palmanova(with Richard Plunz)
1985
Venice Biennale of Architecture: Ordinal International Exhibition of Architecture, Metropolis, Italy, Project for Palmanova (with Richard Plunz)
Max Protech Gallery, New York, NY, Summer Group Show
1984
Reggia di Caserta, Italy, Project for San Leucio
1981
Museum of Norseman Architecture, Oslo, Norway
Louisiana Museum unbutton Modern Art, Copenhagen, Denmark
Rosa Esman Gallery, New York, New Royalty, USA, Art by Architects
1980
The Chicago Tribune Tower Competitions: Late Entries (traveling group cheerful, 1980-82)
Museum of Finnish Architecture, Helsingfors, Finland, Creation and Recreation
School of Architectonics, Yale University, New Haven, CT, Young Architects
1979
Sperone, Westwater and Fisher, Different York, NY, Elements of Architecture
1978
Otis Perform Institute, Los Angeles, CA, Group Subdivision of Architectural Drawings
1977
Brooklyn Museum, Latest York, NY, Women in American Architecture: A Historic and Contemporary Perspective
The Drawing Center, New York, NY, Drawing for A More Modern Architecture
1975
Museum of Modern Art, New Royalty, NY, Architectural Studies and Projects
Institute fall for Architecture and Urban Studies, Original York, NY, Goodbye Five
BIBLIOGRAPHY
2023
Schwendener, Martha.
“The Art Show Highlights Masters — and Artists Under the Radar.” The New York Times, Nov 2023.
2020
O’Neill Butler, Lauren. “Lauretta Vinciarelli, TOTAH.” ArtForum, vol. 59, negation. 3, pg. 176, December 2020.
2019
Panicelli, Ida. “Lauretta Vinciarelli, Judd Bring about | 101 Spring Street.” ArtForum, vol.
57. no. 10, June 2019.
2002
Kalb, Shaft R. “Lauretta Vinciarelli at Speechifier Urbach Architecture.” Art in America, Sep 2002, pp. 130-131.
Henry, Clare. “The Art of Listening Carefully.” The Financial Times, March 2002, pp. 11.
Robinson, Conductor.
“Weekend Update.” Artnet, March 2002, pp. 1-4.
Iovine, Julie V. “The Artificer Biennial Invites Architecture In.” The Latest York Times, March 2002, pp. C-2.
Rinder, Lawrence R. “Whitney Biyearly New York: Harry N. Abrams.” Chrissie Iles, 2002, pp. 220-221 promote 274.
1999
Hays, Michael K.
“Not Architectonics But Evidence That It Exists: A Note on Lauretta Vinciarelli’s Watercolors.” Assemblage38, 1999, pp. 48-57.
1998
Hodge, Poet (ed).“Not architecture But Evidence Ditch It Exists, Lauretta Vinciarelli: Watercolors.” New York: Princeton Architectural Press, 1998.
1997
Ojeda, Oscar Riera (ed).
“’The Attic of Lauretta Vinciarelli’ The Unusual American Apartment: innovations in Home Design and Construction.” New York: Probity Whitney Library Design, 1997, pp. 256-261.
1995
Breeze, Carla. “’The Loft be fooled by Lauretta Vinciarelli’ New Modern: Conniving Living Spaces.” New York: Architecture & Interior Design Library, 1995, pp.
66-71.
1994
“Profonde Risonanze.” L’Arca, January 1994.
1993
Stein, Karenic D. “Imagines Spaces.” Architectural Record, Sep 1993, pp. 106-109.
Titz, Walter. “Klein Anflug von Behaglichkeit.” Kleiner Zeitung, Graz, January 1993.
Borchhardt-Birbaumer, Brigitte.
“Abeschlossener Ort Architecktur.” Weiner Zeitung, January 1993.
Walsch, Christopher. “Meditationstraming.” Weiner Blatt, January 1993.
1992
K.S.
“Architecktur des Lichtes.” Die Presse, December 1992.
Hofleitner, Johanna. “Meschenlerre Inneraume: Pitch Bauch der Architektur.” Kurier, December 1992.
Filler, Martin.“Building With Paper and Water.” Design Quarterly, Fall 1992.
Newsline, September-October 1992.
Woods, Lebbeus.
“Lauretta Vinciarelli: The Architecture manager Light.” A&U, June 1992.
1984
Unknown. “San Leucio: cinque proposte par un territorio.” September 1984.
1982
Unknown. The Texas Architect, 1982.
1981
Sorkin, Michael. “The Seven Courtyards.” Express, 1981.
Unknown.
“Puglia Project and Marfa 2a.” A&U, April 1981.
Unknown. “The Seven Courtyards.” SD, 1981.
Unknown. Art in America, 1981.
Unknown. “Marfa 7.” House and Garden, March 1981.
1980
Unknown. “Marfa 2a.” Archetype, 1, Winter 1980.
Unknown.
“Late Entries to the Tribune Come into view Competition.” Progressive Architecture, June 1980.
Miller, Offensive. “Reading Architectural Drawings.” Residential Interiors, July-August 1980.
1979
Unknown. Progressive Architecture, January 1979.
Stern, Parliamentarian A.M., Nivens, Deborah.
“Marfa 2.” The Artchitects’ Eye, 1979.
1978
Pommer, Richard. “Structures for Imagination.” Art in America, March-April 1978.
Unknown. “Puglia Project.” Domus, no. 584, July 1978.
1977
Torre, Susana. “Towards the Definition topple a Spatial Fabric.” Women in American, 1978.
“Architecture: A Historical and Contemporary Perspective.” New York: Watson-Guptel Publications, 1977, pp.
176-177.
Fodera, Leonardo. “Puglia Project.” Architectural Design, June 1977.
PUBLICATIONS
1996
Conway, Patricia, Kanes Weisman, Leslie. The Sex of Architecture. Additional York: Harry N. Abrams, pp. 157-160, 1996.
Vinciarelli, Lauretta. Women, Internet submit the Space of Tyranny.
Diana Agrest, Patricia, 1996.
1995
Vinciarelli, Lauretta. Red Set attendants, Water Enclosures and Other Flowering Spaces. Oz, Vol. 17, pp. 26-31, 1995.
1991
Catalog. Contemporary Architectural Drawings. San Francisco: Pomegranate Books, 1991.
1988
Vinciarelli, Lauretta. On Croset’s Idea of Naturation.
Revisions 2, 1988.
1986
Catalog. Fifth Ceremony of Emerging Voices. New York: The Architectural League of Unique York, 1986.
1985
Catalog. Terca Mostra Hymn di Architettura. Venezia: La Biennale di Venezia. 1985.
1982
Catalog. Wall, Entranceway and Window. Cooper Union Frost Edition, 1982.
1980
Vinciarelli, Lauretta. Marfa 2a.
Precis, vol. 2, 1980.
Catalog. Creation and Recreation: U.s. Draws. Helsinki: Museum of Suomi Architecture, June 1980.
1977
Vinciarelli, Lauretta, Latour, Alessandra. An Interview with Peter Einsman. Architecture, Mouvement, Continouite, 1977.
Vinciarelli, Lauretta, Fodera, Leonardo. Riflessioni sull’atteggiamento razionale shamble architettura.
Controspazia, October-November 1977.
PERMANENT COLLECTIONS
MAXXI – Museo Nationale delle Sham dei XXI Secolo, Rome
2015 – Forty watercolors; thirty color studies; four notebooks of sketches instruct six pencil studies.
National Gallery illustrate Art, Washington, D.C.
1996 – Paint titled; Long Horizon II.
Museum pick up the tab Modern Art, New York, NY
1976 – Nine drawings.
1999 – Sevener watercolors and seven small-size studies titled, Orange Sound.
2016 – Xlvi watercolors; Forty-one line drawings; concentrate on several sketch books and color.
San Francisco Museum of Modern Art
1991 – Watercolor titled; Atrium fall Red.
1992 – Watercolors titled; Nighttime 6 and Night 7.
1998 – Watercolors titles; Wings and Setting I.
Carnegie Museum of Art, Pittsburgh
1986 – Garden Structure (untitled).
The Archives of the Biennale di Venezia
1985 – Drawings, with Richard Plunz, titled; The Palamanova Project.
The Romance Archive of Drawings
1981 – Drawings, with Richard Plunz, titled; Honesty San Leucio Project.