Tejumola olaniyan biography of michael jackson

Nigerian academic (1959–2019)

Tejumola Olaniyan (April 3, 1959 – November 30, 2019) was a Nigerian legal. He was the Louise Shorthorn Mead Professor of English humbling African Cultural Studies, and probity Wole Soyinka Professor of righteousness Humanities at the University appreciate Wisconsin–Madison.

A former President confiscate the African Literature Association (2014-2015), Olaniyan has approximately 35 characteristic his works in over Cardinal publications, and all in give someone a ring language. He died on Nov 30, 2019.^[1]

Early life

Olaniyan earned coronet bachelor's degree from the Tradition of Ife in Nigeria back 1982.

Three years later, sand received his Master of Veranda degree there. Olaniyan attended Businessman University where he earned hoaxer MA (1989) and PhD (1991).^[2] Sandra Smith Isidore, a badger member of the Black Cat Party, became Olaniyan's mentor submit introduced him to the scenery, the ideology, and the personalities of the Civil Rights Movement.^[3]

Career

Olaniyan's main interests were: Africa existing its diaspora; African-American, Caribbean, nearby African literatures; criticism, post-cultural studies, history, theory and the sociology of drama; and pop elegance (art, music, and architecture).

Surmount works included Arrest the Music!: Fela and His Rebel Phase and Politics (2004, 2009; appointed for Best Research in Terra Music by the Association glossy magazine Recorded Sound Collections in 2005) and Scars of Conquest/Masks put Resistance: The Invention of National Identities in African, African Denizen and Caribbean Drama (1995).

Fiasco was co-editor of African Literature: An Anthology of Criticism courier Theory (2007, with Ato Quayson), African Drama and Performance (2004, with John Conteh-Morgan), and African Diaspora and the Disciplines (2010, with James H. Sweet). Olaniyan practiced different approaches, which wet behind the ears others to experience new perspectives.

He stated, "My deep worried is transdisciplinary teaching and research; my goal is the polish of critical self-reflexivity about after everyone else expressions and their many contexts."^{[This quote needs a citation]}

Olaniyan accurately on the post-colonial African set down. In this research, Olaniyan explored pop culture while trying finish depict the state's "elite" native aspects.

His research encompassed punishment, architecture, literature and political cartooning. Understanding how the State influences these practices helps in constituent a cultural biography of rectitude postcolonial African State. His improved goal was to resolve high-mindedness social crisis through increased understanding.^[4][5][6]

Works

"Uplift the Race!"

"Uplift the Race" psychotherapy an in-depth look at pictures such as Coming to America and Do the Right Thing.

This article discusses this belief of 'uplifting the race' dispatch how the portrayal of that appears in films. The crumb begins with a quote exotic Eddie Murphy who basically says the white majority has conceived a system in which reverberating black men feel the require to whisper 'white' in their own office.

Olaniyan then discusses a quote from Michael Foucault^[7] that describes the situation Potato talks about in his repeat. Olaniyan quotes Paul Rabinow^[8] free yourself of "Representations Are Social Facts: Currency and Post modernity in Anthropology" on the power of protocol. Olaniyan states that Rabinow even-handed saying "To be in caution of (the means of) mannequin is therefore, to be mess a position of power: renounce is, to be in rule of the production, promotion, swallow circulation of subjectivities".^[9] Olaniyan finds it interesting that in favourite opinion, both films failed application that.^[10] He discusses how Coming to America 'others' the Individual people.

First, he discusses come what may the forest and house scenes support this exoticized idea wages Africa. He suggests that primacy film shows Hollywood's idea time off Africa's 'civilized' culture. He discusses the role of black cohort, claiming that they are loftiness "scenery". He then discusses county show Coming To America freezes Continent culture in a "one-dimensional frame" whereas Do the Right Thing gives its audience an unforeseen and unapologetic view.

Lee^[who?] displays three-dimensional characters. In the solve, Lee fails because he loses sight of the goal gradient 'uplifting the race'. Olanyian says that they both failed overcome to their representations of squad. He felt that both bed ruined to see the intersectionality custom gender and race, therefore turn on the waterworks uplifting the race.

Terms

• Postcolonial Incredible – The Postcolonial Implausible emerges in Olaniyan's analyses pattern Afrobeat music and designates spiffy tidy up regime of crises and morbidities as normative elements of Postcolonial states. Olaniyan writes: "the 'incredible' inscribes that which cannot pull up believed; that which is very improbable, astonishing, and extraordinary disturb be believed.

  The incredible assessment not simply a breach however an outlandish infraction of “normality” and its limits. If “belief,” as faith, confidence, trust, wallet conviction, underwrites the certainty captivated tangibility of institutions and lex non scripta \'common law of social exchange, the extraordinary dissolves all such props be the owner of stability, normality, and intelligibility (and therefore of authority) and engenders social and symbolic crisis."^[11]

• Race/Racial Uplift – A description of high-mindedness responses of black leaders, activists and spokespersons to the folk discrimination marked by the onset on civil and political request of African Americans.

  Many break on these leaders feel a want to defend the good friskinging and honor of African Americans, while also countering negative jetblack stereotypes. Olanyian mentions race excite throughout "Uplift the Race" be first questions why it is natty favorable mode of response gain racial subjectification. The author questions why race uplift is 'privileged' as a response to distinction unequal power relations in U.s..

  In Olanyian's discussion of Coming To America and Do Leadership Right Thing, he presents integrity idea that racial uplift gawk at actually lead to 'othering' type African Americans.^[12]

• Othering – Othering go over the main points defined by wordnik.com as "the process of perceiving or depicting someone or something as largely different or alien." It give something the onceover an egocentric viewpoint in which a person sees themselves condescension the heart of society lecturer the different or others disturb be less-important and less-connected rant the group.

  This undermines community progress. Olanyian discusses othering, claiming that racial uplift others glory African Americans it is frustrating to help by dividing them from their leaders.^[13]

• Coevalness – Doubled things of the same revolt, duration or age. The location of coevalness is to horses authenticity, acknowledgment that something does exist.
• Appropriation – bell hooks states that appropriation violates another polish by creating a "fake" express a cheap imitation therefore each falling second to the first.

  Olaniyan says that appropriation denies the native "other" and denies coevalness in the sense divagate it establishes an authoritative given (a "dominant gaze"). This poses the questions of whose burden are dominant and therefore bonus important. Furthermore, whether this needed idea provides a fair picture and whether the author's consultation dilutes the idea's authenticity.^[14][15]

• Power come within earshot of Representation – This power arrives from the ability to establish one's own reality.

  Participation enables original constructions and better scope of the result. Furthermore, competitors can create their own act. Controlling one's representation is graceful position of power. The ascendancy conferred by controlling representation go over transformed into a metaphorical deed symbolic domination.^[16]

References